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Watch 90th Academy Awards | Oscars 2018 Live Stream TV

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On Dec. 19, the Academy of Motion Picture Arts and Sciences announced the seven films that will remain in competition for the 2018 Achievement in Makeup and Hairstyling Oscar. The films in the 2018 Oscar Watch are: Bright, Darkest Hour, Ghost in the Shell, Guardians of the Galaxy Vol. 2; I, Tonya; Victoria & Abdul; and Wonder.

On Jan. 6, the make-up and hairstyling teams for each film above will present and discuss their work to members of the academy’s Makeup Artists and Hairstylists Branch—in what’s known as the “bake-off.” The top three finalists will be announced Jan. 23.

Here, writer Joe Nazzaro analyzes notable make-up trends for 2017, and how the seven films heading to the bake-off rose above all others.

Welcome to our 2018 Oscar Watch coverage, a time for us to highlight the candidates up for awards consideration, as well as some of the notable trends into which they fall. Whether they’re odds-on favorites or obvious long shots doesn’t matter, as the experts will eventually make the final decisions. And so will our readers …

Four-Color Fable
Comic-book-based films have become major projects for make-up in recent years. While other films in this category made a strong effort (Logan, Wonder Woman, Justice League, Thor: Ragnarok), the Guardians of the Galaxy Vol. 2 prevailed under make-up department head John Blake and hair department head Camille Friend, with half a dozen prosthetic characters (and a score of Ravagers) by the team at Legacy Effects.

Sci-Fi Sagas

Science fiction is always a popular category, with most films in the genre requiring imaginative make-up/make-up effects work. The sci-fi galaxy was crowded this year, and on Dec. 19, Ghost in the Shell (make-up co-department heads Jane O’Kane and Sarah Rubano, with make-up effects provided by Weta) earned a spot at the bake-off.
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Fantasy

Fantasy films always deserve a second look. Netflix is making sure they’re at the top of the list. With streaming video here to stay as an awards-worthy source, Bright could have a future at the podium. The crew featured make-up designer Alessandro Bertolazzi; Christina Waltz, make-up department head; Fernando Navarro, hair department head; and Christopher Nelson, make-up effects department head. “I think what makes it work,” Nelson reflects, “is our goal to put what our director, producers and Netflix wanted onscreen. You can have some rough days, but that’s fine as long as you’re doing your job to the best of your abilities and you have each other’s back. If you treat people with kindness and respect, they’ll deliver for you, so that’s what we did. We all looked out for each other, and that made this incredibly intense and difficult job a little easier to manage.”

Final Thoughts

If there is one thing that is certain about the nomination process, it’s that nothing is certain. Just when you think you’ve got that short list figured out, there’s always a film that comes out of left field and leaves prognosticators re-checking their lists. And while we at Make-Up Artist remain non-partisan about these things, we do wish all nominees, whoever they turn out to be, the very best of luck.

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